Day 1
We gathered at the Carroll street site. It is my least favorite spot of all the ones we hit last year. I remember it as being hot, buggy, and sans bathroom. It is pretty, though, and the addition of hay bales and a veggie garden broke up all that green that I grew tired of last time. We did have some "distractions" wander through our first demo in the form of some escaped pigs, but we got to work after they left. I chose the view from up on the hill.
The Painting is 15" x 11", watercolor. And it looks just a little better than my first day out last year. I didn't really like this one. I didn't say it outright, but it was clear how I felt when I accidentally drove away without it at the end of the day. Luckily Nora grabbed it for me, but I don't think I would have lost sleep over it if it had disappeared.
Day 2
On the second day, the group went to Carroll street again, but I just wanted to find some water. I went to Haserot Beach, near the top of the peninsula. It was a beach I liked last year, so I thought it might propel me forward. I think it did. The watercolor below is 15" x 8". It looks like what I was doing at the end of last years class. Improvement.
In the evening, I decided to pull over at the scenic overlook that we pass when we drive up and down the peninsula. I was really drawn to the horizon line, the atmospheric layering of hills, the crisp line where trees meet water, and water meets the distant land. The watercolor below is 15" x 5.5"
Day 3
On the third day we went to the lighthouse. It rained when we first got there, but the showers held off just long enough for me to get a few things done. We were asked to work wet on wet with our watercolor, so I did just that. The first painting is 3" x 6" and the second is 15" x 5'. I started working with multiple pieces at one time so that I could experiment on a smaller one, before I did something to the larger piece. It also gave me an opportunity to play a bit more. Working with multiples also takes the pressure off, because not all of our eggs are in one basket.
When it started to rain again, I moved to a site in front of Old Mission Inn, where I had heard there was something like a picnic shelter that I could sit in to keep dry. This was great because the hazy, rainy day was great for painting, and I didn't want to stop.The first piece below is 15" x 5.5". The second was an experiment, where I was really trying to isolate that line I liked so much. I found that if you painted a line and then dripped water on it, the paint would disperse like a landscape on top with it's reflection in the water below. This one is 6.5" x 3.75". The third piece is the same idea using violet, and is 3.5" x 6".
Day 4
The fourth day was spent at Chateau Chantal. It was cold. After two hot days and a rainy day, the chill in the air wasn't so bad. I did have to break out the sweatshirt and blanket. In this first piece I think I finally achieved what I was after. I wanted to simplify the landscape, have smooth gradation within the color blocks, and capture the lighting with my color palette. It reminds me a little of some contemporary pieces my parents found in Cape Dorset, Alaska.It is 15" x 6".
I also did some smaller pieces. The first was a practice for the large piece, and measures 6.5" x 4". The second is my only vertical composition, measuring 3" x 6". The third is 9" x 2", and is more energetic. I used watercolor, and water resistant pen, that bled a little on that. The fourth is the shape of a little line of trees I liked. It is 4" x 1.5".
Day 5
I started my last painting with a barn and a field right outside my cabin door. I had begun to sketch the composition the evening before, but the morning light was so much better. The first piece measures 6" x 3.5". It is bolder in color, like the scene itself. The second piece 7.5" x 4". Here, I started to bring in some pattern in the foreground, layered on top of the color blocks. I think I moved on from what I was doing in the previous few days to something new, which was cool.
When I finished there, I headed up to the Two Lads Winery on the peninsula. I checked it out the day before and thought the contemporary architecture, might lend itself to what I was doing with the landscape. These reminded me of something I had seen before and at our final critic, Nora said that the artist I was thinking of was Charles Demuth. His work with industrial architecture must have made a subconscious impression on me in an art history course at some point. The first painting is 4" x 4". I wanted that horizon line to be stopped in its tracks by the massive vertical of the building. I also wanted to see if I could get away with dividing the composition into quadrants with the most prominent vertical and horizontal lines. The second piece below is 10.25" x 3.5". In this one I focused on the big black windows and the graphic 2 from the Two Lads logo.
Now that the course is complete, I feel good about the work I created. I definitely have a better understanding of watercolor after this week. Also, I found a style of working with the material that is engaging enough that I want to keep painting. Overall, it was an excellent week!
We gathered at the Carroll street site. It is my least favorite spot of all the ones we hit last year. I remember it as being hot, buggy, and sans bathroom. It is pretty, though, and the addition of hay bales and a veggie garden broke up all that green that I grew tired of last time. We did have some "distractions" wander through our first demo in the form of some escaped pigs, but we got to work after they left. I chose the view from up on the hill.
The Painting is 15" x 11", watercolor. And it looks just a little better than my first day out last year. I didn't really like this one. I didn't say it outright, but it was clear how I felt when I accidentally drove away without it at the end of the day. Luckily Nora grabbed it for me, but I don't think I would have lost sleep over it if it had disappeared.
Day 2
On the second day, the group went to Carroll street again, but I just wanted to find some water. I went to Haserot Beach, near the top of the peninsula. It was a beach I liked last year, so I thought it might propel me forward. I think it did. The watercolor below is 15" x 8". It looks like what I was doing at the end of last years class. Improvement.
In the evening, I decided to pull over at the scenic overlook that we pass when we drive up and down the peninsula. I was really drawn to the horizon line, the atmospheric layering of hills, the crisp line where trees meet water, and water meets the distant land. The watercolor below is 15" x 5.5"
Day 3
On the third day we went to the lighthouse. It rained when we first got there, but the showers held off just long enough for me to get a few things done. We were asked to work wet on wet with our watercolor, so I did just that. The first painting is 3" x 6" and the second is 15" x 5'. I started working with multiple pieces at one time so that I could experiment on a smaller one, before I did something to the larger piece. It also gave me an opportunity to play a bit more. Working with multiples also takes the pressure off, because not all of our eggs are in one basket.
When it started to rain again, I moved to a site in front of Old Mission Inn, where I had heard there was something like a picnic shelter that I could sit in to keep dry. This was great because the hazy, rainy day was great for painting, and I didn't want to stop.The first piece below is 15" x 5.5". The second was an experiment, where I was really trying to isolate that line I liked so much. I found that if you painted a line and then dripped water on it, the paint would disperse like a landscape on top with it's reflection in the water below. This one is 6.5" x 3.75". The third piece is the same idea using violet, and is 3.5" x 6".
Day 4
The fourth day was spent at Chateau Chantal. It was cold. After two hot days and a rainy day, the chill in the air wasn't so bad. I did have to break out the sweatshirt and blanket. In this first piece I think I finally achieved what I was after. I wanted to simplify the landscape, have smooth gradation within the color blocks, and capture the lighting with my color palette. It reminds me a little of some contemporary pieces my parents found in Cape Dorset, Alaska.It is 15" x 6".
I also did some smaller pieces. The first was a practice for the large piece, and measures 6.5" x 4". The second is my only vertical composition, measuring 3" x 6". The third is 9" x 2", and is more energetic. I used watercolor, and water resistant pen, that bled a little on that. The fourth is the shape of a little line of trees I liked. It is 4" x 1.5".
Day 5
I started my last painting with a barn and a field right outside my cabin door. I had begun to sketch the composition the evening before, but the morning light was so much better. The first piece measures 6" x 3.5". It is bolder in color, like the scene itself. The second piece 7.5" x 4". Here, I started to bring in some pattern in the foreground, layered on top of the color blocks. I think I moved on from what I was doing in the previous few days to something new, which was cool.
When I finished there, I headed up to the Two Lads Winery on the peninsula. I checked it out the day before and thought the contemporary architecture, might lend itself to what I was doing with the landscape. These reminded me of something I had seen before and at our final critic, Nora said that the artist I was thinking of was Charles Demuth. His work with industrial architecture must have made a subconscious impression on me in an art history course at some point. The first painting is 4" x 4". I wanted that horizon line to be stopped in its tracks by the massive vertical of the building. I also wanted to see if I could get away with dividing the composition into quadrants with the most prominent vertical and horizontal lines. The second piece below is 10.25" x 3.5". In this one I focused on the big black windows and the graphic 2 from the Two Lads logo.
Now that the course is complete, I feel good about the work I created. I definitely have a better understanding of watercolor after this week. Also, I found a style of working with the material that is engaging enough that I want to keep painting. Overall, it was an excellent week!
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